Rueben Addis is not the only vocalist featured on this release: Kenny Knots and Prince Alla join in and they do not dissapoint at all. The simple fact that everything recorded was recorded roughly between 2000 and 2005 simply shows another fact: this is music for all times and seasons and those who love their drum and bass vibrations simply know what to do with the album.
Tuesday, April 22, 2014
WWW, April 2014 - Those who know their UK DUB and ROOTS business when it comes to production and Sound System, should not need to be introduced to the UNITONE SOUNDIMENTIONAL. Rueben Addis has been running the Sound since the start when he joined Mixman who was then setting up his Blakamix productions back in the early 1980's.
Net Label DUBKEY.com's first release of 2014 carries singers as well: Zebby Blax, who provides us with the opening track for example. Together with a fine accompanying Dub by Rueben Addis, that is. Hatta Benji is there too and Sis Dinah, adding the Roots Daughter vibe.
For the music on the album, Jah Rootikal got together with a number of musicians he knows from his long time involvement in playing and producing music. Vocals, melodica, conga, nuff stuff. The result: a combination of played and programmed materials, everything skillfully mixed into Dub works in the UK Dub style avant la lettre.
Friday, April 18, 2014
The opening, "Jericho" has server as an exclusive for the well known Channel One Sound System for quite a while. They've used the tune during festivals like Nottinghill Carnival, a highly popular event for the lovers of Roots Reggae Music. Listening to the tune, you can imagine it going through the speakers of one of the best Sound Systems and shaking the place.
It's an instrumental tune and it needs a Dub counterpart. Yes, it is given: "Walled City". Slightly more dubby than the first take.
The second riddim, or B-side of the 12'' is another massive one by the spanish producer. It has a different vibe but is nevertheless equal as a Dubrockers riddim. Like in "Jericho", there's a flute which is there but not in a boring way at all. This is a good addition to the solid drum and basslines.
These four upfull tunes, joyous and solid in the same time. Again,no wonder why the first vinyl batch was sold out. A fine release by the relatively new STEPPAS RECORDS LABEL.
Electronic DUB Art, that is. In a Roots Reggae Style.
The opening track, featuring Sammy Gold at the microphone is an easy going One Drop style Roots tune, with conscious lyrics for your heart and soul to meditate upon. During the massive Dub version, for example. Bredda Sammy surely has a message for each and everyone to take heed while Uptown Rebel has the riddim and the Dub mixing skills to accompany it just in style.
The set lasts just short of an hour and ten minutes, and after that you have been treated to a Roots and Culture selection that gave you that upfull vibe you can get from a good Reggae selection. This podcast definitely belongs to that category.
WWW, April 2014 - It takes the band about two minutes to actually introduce the riddim of the tune, but then you had an introduction that provided more than enough food for thought. On a musical vibe, that is.
Wednesday, April 9, 2014
WWW, April 2014 - He won a Grammy award multiple times, and that's just for his musical works. His teaching and writing skills have not gone unnoticed either. Talking about Joe Ferry, dr. Joe Ferry: widely acclaimed bass player and record producer as well as talented writer. But this is about the music. Music with King Tubby and Augustus Pablo to be precise.
We're talking about "Perfida DUB", unmistakably a Jamaican Roots Rockers tune from the seventies. A Dub carrying King Tubby's mixing skills as well as musicians playing in ways that super stars can only dream of. 555 Crown Street carrying the works of Augustus Pablo is a true classic, needs no introduction or description other than the remark it is present on this album. Which says a thing about Joe Ferry!
Of course, these two tracks are appetizers. Appetizers for what is coming. And what is coming is more fat DUB and Reggae in the Roots tradition. Solid riddims, excellent works by the musicians and the engineer, matching perfectly with the classic historic recordings on "Connected". You'll even hear resemblances of Black Uhuru recordings in the guitar play ("Unwind" by Menace).
It's not only Dub even though the album is truly all about the Dub. There's a vocal track by Uzimon and The Dons called "Don't Go Bang", a thing which makes you realize something about the title of the album. Makes you want to listen to the Dub of the track as well... There's Victor Rice again (reviewed at mp3.dubroom.org), bringing you "Bango" which is kind of a hybrid between Dub and a vocal track. There's the Big Ska Band with a Dub that could be taken off a secret Dub album by the Skatalites.
If Joe Ferry's "Connected: Mob Stories and Reggae Riddims" resembles anything of the book that this release accompanies, you might want to check that out as well. The album surely brings that upfull yet intense vibe only Reggae Dub can bring especially when it is played in, as said, the Roots Tradition.
The B-side carries another two tunes, with some fatter bass and more intense mixing. The Channel Tubes playing a solid Roots riddim with skillful effects on the bass and organ play Jackie Mittoo style. The Dons closing off with "Satta Big Dub": four minutes of Old Skool mixing in ambient style if you know what I mean.
A true collector's item, get one while you still can!